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Figure 7-11. Xach Effect on a hidden text layer Named for Zach Xach Beane, a GIMP contributor who came up with the idea, Xach Effect creates several new layers, leaving the existing layers untouched. If you use a foreground layer rather than a selection outline for your shape, you ll probably want to turn off visibility on the foreground layer. (Xach Effect can work on an invisible layer.) Apply Lens warps the image in the way that a wide-angle lens might. You can get a similar effect by pinching with a negative number in Whirl and Pinch, or by using Lens Distortion, but Apply Lens is more specific and has only one parameter, the index of refraction of the lens being simulated. Glass Tile makes the image look like it s being viewed through a wall made of many glass bricks, each of which refracts light a little differently.

Early boot loaders even lacked support for backspace. Being a terrible typist, I found that composing the lines in a text editor and then pasting them into the terminal emulator was the best way to proceed. Now that backspace is well supported, that s something I don t have to do anymore, but old habits die hard.

These filters add noise to an image. Why on earth would you want to do that You ll see as you explore them. HSV Noise (previously called Scatter HSV) creates colorful noise. It has four parameters. Hue controls the average color of the generated noise. Saturation and Value control the saturation and brightness of the noise. The other parameter, the oddly named Holdness, controls

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When the kernel starts the main user process, that process must continue running, because when the process stops the kernel panics and stops as well. A kernel panic is the worst sort of kernel error, because this sort of problem results in the system coming to halt. The following illustration describes the booting process from power-on until the first program runs. Figure 7-1 shows the boot process in detail. The following reviews the previous discussion and explains what happens each step of the way:

how much the color of the image is allowed to change. A low value of Holdness will preserve more of the original colors than a high value. Hurl changes a random selection of pixels to random colors. Randomization is the percent of pixels to be changed; at 100%, the entire image will be replaced by random noise. Repeat runs the effect repeatedly, but you re usually better off just using a higher value for Randomization. Pick replaces each affected pixel with a value randomly chosen from nearby pixels. So the image won t change nearly as much as it would with most of the other noise filters. Even with Randomization set to 100%, Pick can create an image that s quite recognizable and interesting. RGB Noise (known in earlier GIMP versions as Scatter RGB) creates very natural-looking colored noise. You can set each color independently, or with Independent RGB turned off, you can slide the three sliders together. RGB Noise can be used on a grayscale image as well; in that case it will show only a single slider. Slur is a bit more fun: it randomly moves pixels downward, as though they were melting. That s not immediately obvious when you run it once, but try setting Repeat to a large number like 50 (Figure 7-12).

<form id="login"> <prompt>Welcome to XYZ Savings and Loan</prompt> <subdialog name="login" src="#asklogin"> <param name="ask" expr="yes" /> </subdialog> <filled mode="all"> <if cond="accountNumber == pinNumber"> <goto next="#mainMenu" /> <else /> <clear namelist="accountNumber pinNumber" /> <throw event="nomatch" /> </if> </filled> </form> After the subdialog has been called, you can use the variables, accountNumber and pinNumber, which were returned from the called form, askLogin.

1. 2. 3. 4.

Figure 7-12. Slur with a repeat of 65 and randomization of 100%

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which arrow is the starting point and which is the end point. If you want to reverse them, you can click on Change Order of Arrows or you can just drag one arrow past the other one. Then set the new color (which will replace the From color) the same way, and keep an eye on the preview to see if it s doing what you expected. Figure 8-45 shows how to replace a range of blues with reds.

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